Octavix delivers the definitive late 1960’s fuzzed out, octave up sound together with modern enhancements that update the classic concept.

Housed in EHX’s rugged nano package, the Octavix features Volume, Boost and Octave knobs. Volume regulates the output level of the pedal. Boost controls the amount of fuzz and Octave adjusts the volume of the octave above. A mini-toggle lets the player select between 9 or 24 volt power rails and determines the power supply voltage for the entire circuit. At 9V the pedals behaves like the classic, saggy fuzz box. At 24V the Octavix delivers a tighter sound and a richer octave tone. True bypass ensures maximum signal path integrity.

A period-evocative, psychedelic design and blue LED contribute to the pedal’s vintage vibe.

Quick Specs

• Classic octave up + fuzz effect pedal
• Switchable 9 and 24 volt power rails give a saggy or tight sound
• True bypass
• Blue LED
• EHX 9.6VDC-200mA power supply included
• Current Draw: 65mA @ 9VDC

The MXR Carbon Copy Analog Delay goes from crisp «bathroom» slap echoes to epic, Gilmouresque delays.

Featuring 600ms of delay time with optional modulation, and a three-knob layout that controls Delay, Mix, and Regen. In addition, there are two internal trim pots that offer user-adjustable width and rate control of the modulation for even more tonal options.

All done by a completely analog audio path for authentic rich, warm analog delay—made possible only by old-school analog bucket brigade technology.

A phenomenal-sounding pedal from T-Rex Engineering Denmark, that takes the original swirling vibe sound and gives it an extra bite – with more voltage (12V DC)
hurling the sound around the room. Spinning, whirling, shimmering and pulsating.

The main controls are Depth, Speed and overall Level, while a Mode button takes you from the rotating speaker to a vibrato effect. A trimmer control on the underside of the pedal tunes the phase and intensity of the vibe.

The new single channel Carl Martin PlexiTone was designed in association with Pete Thorn, and is housed in a small pedal-board friendly housing with 3 knobs and 1 switch. Apart from Pete’s slight modifications that give this new pedal a tighter bottom-end and slightly softer high frequencies, it is exactly the same gain structure as the High Gain setting on the original Pro-Series PlexiTone….it just plays better with different amps.

The single Plexi also incorporates our new DC-DC converter circuitry, so the pedal can be powered by a regulated 9V Power Supply but will still operate on the same +-12V level as the original AC powered PlexiTone. This allows us to use the same high quality components which provide the same tone and headroom that make the CM Pro-Series stand out from the rest!

The Level knob adjusts the overall level of the Plexi-
Tone. By adjusting this knob (in conjunction with the
gain) you can match or exceed the bypass signal for
rhythm or solo work.

The Drive knob adjusts the amount of overdrive, from
light crunch; at full counter-clockwise, to full, fat overdrive
with loads of sustain at full clockwise…. and
everything in between. Regardless of the amount of
overdrive, the PlexiTone always produces those great
Brittish tones that seem to cut right through the mix in
both live and recording sessions.

The Tone knob on the PlexiTone, is a high cut filter.
With the knob set at full clockwise, you enjoy the
full bandwidth of frequencies, so as you turn the
knob counter clockwise, you start to filter out the
high frequencies. This allows you to fine tune your
tone regardless of which guitar/pickup you are
using. You might find at high gain settings that
reducing the highs will tighten up the sound, and at
lower gain settings, the high frequencies will add
some bite and crispness to your notes.