- Ported bass design
- 12″ special driver
- Carpet-covered cab
- Oversized corners
- Metal grille
- Effects loop
- 1/4″ line out
- Mid-scoop switch
- 4-band EQ
- CD input
TONY IOMMI’S BACKSTAGE AMP.
The TI15-112 takes all the raw power and tone of the TI100’s high gain channel and crams it into a compact single channel all tube amp.
Utilizing Laney’s unique dual wattage input option means you can push the EL84 output section hard and get 15 watts rms of full on tone or plug into the «less than 1 watt» and get exactly that – your same great tone but at less than 1 watt.
SPEAKER EMULATED RECORD OUT
The TI15-112 also features the cool flexibility of being able to record both silently, for late night recording sessions or in live situations via the SPEAKER EMULATED RECORD OUT feature on the rear panel.
The TI15-112 is finished of in Tony’s trade mark black and cross livery.
Inputs 1x Jack 15 Watts & 1x Jack 1 Watt
Channels Single IOMMI channel
Channel Controls Pre-Boost, Volume, Drive
Equalisation Bass, Middle,Treble, Dynamics and Tone
Preamp Valves 3x ECC83
Output Valves 2x EL84
Footswitch Boss FS-5L
FX Loop(s) Yes – variable level FX loop
Driver 12″ Custom HH driver
The DOD Carcosa Fuzz is a doorway into an alternate fuzz universe, where classic tones of legend coexist with splattered and shattered Pollock abstractions. Combining the Carcosa’s wide-ranging AFTER bias control with two toggle positions creates tones that range from porcine fatness to dessicated shards. This versatility makes the Carcosa Fuzz a good companion for dirty or clean amps. True bypass, tons of output, and the visage of the King in Yellow sets the stage for fuzzy madness.
The DOD Carcosa Fuzz has an exaggerated mid-range and treble character that help it stand out in a mix. It has been designed to cut through a dense and heavy band but still have great note articulation with chords. However, when extreme bias (AFTER) ranges are selected many wild and over-the-top sounds are possible
BEFORE – Increases/Decreases the amount of fuzz.
OUTPUT – Increases/Decreases the overall output level, there is a lot of level here so this can be used as a boost.
AFTER – Bias Control changes the texture of the fuzz. Counter-clockwise attains loud and woody fuzz tones that clean up with the guitar volume knob, and full clockwise attains splatty and broken fuzz tones and horn-like vowel sounds and sustain. Middle-ranges go from familiar classic to more modern wall-of-sound fuzz voicings.
HI-CUT – Reduces the amount of high-frequency detail. Start at the 9:00 position and adjust counter-clockwise for brighter pickups, and clockwise for darker pickups. Don’t be afraid to use the extreme ranges of this control since changes to the AFTER bias control also change the tone of the fuzz. You may find higher volume boost settings or stage levels will also require high-frequency adjustment.
DEMHE/HALI – Use the DEMHE voicing (Up Toggle Position) for a bass and low-mid boost which works great for clean channel usage. Use the HALI voicing (Down Toggle Position) for a bass cut that works great for dirty channel usage.
Hand-built, Ts9 and Ts808 Tube Screamer clone.
The Demon Tube Screamer is made on the basis of the classic original TS9 and TS808, the most popular vintage overdrives. We take these two models together in one shell, 2 effects in 1, perfect upgraded, using the best quality components and the same circuit as the original one, and it’s made with plug-in components only, not SMD technology, so it is close to the original sound as they come.
Using a two-Position switch to change between the TS9 and TS808.
One two-position switch: TS9 overdrive and TS808 overdrive
Updated IC: JRC4558D
True bypass switch
100% analog signal path
On/Off LED indicator
You know who makes a good ‘Marshall in a box’ pedal? Marshall do. Well, they did, in the 90s at least. This is voiced very close to a JCM800 gain channel; there’s a heap of gain on offer and a very powerful three band EQ. There’s a bit more gain and volume boost on tap than the sister ‘Shred Master’ pedal and a more traditional voicing. Stacks up very nicely against some very boutique pedals and has a whole lot ‘back in the 90s’ swagger.
Model: Marshall Drive Master
Made: England, mid 90s approx
Power: standard 9v supply or battery
Switching: true bypass
Draw: 4mA approx
Gain: gain/crunch added to the signal
Bass: low end frequencies boost/cut
Middle: traditional midrange boost/cut, heaps of variation as you turn up
Treble: high frequencies boost/cut
Volume: output volume; note that it cuts volume when set below 3o’clock
This is my go-to pedal platform. Ultra-modern two-tone Black and Red vinyl covering and black grille cloth compliment the classic English bark of the Eminence® Wizard speaker. This robust speaker exudes a warmth and crunch that works amazingly well with the Hot Rod Deluxe.
Unique features to this amp include: Two-tone Black/Red vinyl covering, Black grille cloth, a 12” 8-ohm Eminence® WizardTM speaker for gorgeous cleans and warm, British overdrive. Also includes “Limited Edition“ FSR badge.
Additional features include: Easy-to-read black control panel with front-reading text, footswitch, graduated volume and treble pot tapers, “tighter” overdrive.
Fender FSR Hot Rod Deluxe III Red Nova Two-Tone Features:
«Black Russian» Big Muff Pi version 8 Second Edition, with four screw light weight box from 2006, Based on Bob Myer’s original circuit. 9V battery only. This small box black Big Muff was the final version of the Russian made Big Muffs.
A pinch smoother than its American-made comrade, the Russian Muff exhibits slightly less sustain, yet retains that unmistakable Big Muff sound. Prized by bass players for its edge, and sought after by guitarists seeking its unique flavor.
VOLUME CONTROL-sets the output level.
SUSTAIN CONTROL- adjusts the amount of sustain and distortion.
TONE CONTROL-provides a range of sounds from high treble to deep bass.