Octavix delivers the definitive late 1960’s fuzzed out, octave up sound together with modern enhancements that update the classic concept.
Housed in EHX’s rugged nano package, the Octavix features Volume, Boost and Octave knobs. Volume regulates the output level of the pedal. Boost controls the amount of fuzz and Octave adjusts the volume of the octave above. A mini-toggle lets the player select between 9 or 24 volt power rails and determines the power supply voltage for the entire circuit. At 9V the pedals behaves like the classic, saggy fuzz box. At 24V the Octavix delivers a tighter sound and a richer octave tone. True bypass ensures maximum signal path integrity.
A period-evocative, psychedelic design and blue LED contribute to the pedal’s vintage vibe.
Classic octave up + fuzz effect pedal
Switchable 9 and 24 volt power rails give a saggy or tight sound
The MXR Carbon Copy Analog Delay goes from crisp «bathroom» slap echoes to epic, Gilmouresque delays.
Featuring 600ms of delay time with optional modulation, and a three-knob layout that controls Delay, Mix, and Regen. In addition, there are two internal trim pots that offer user-adjustable width and rate control of the modulation for even more tonal options.
All done by a completely analog audio path for authentic rich, warm analog delay—made possible only by old-school analog bucket brigade technology.
A phenomenal-sounding pedal from T-Rex Engineering Denmark, that takes the original swirling vibe sound and gives it an extra bite – with more voltage (12V DC) hurling the sound around the room. Spinning, whirling, shimmering and pulsating.
The main controls are Depth, Speed and overall Level, while a Mode button takes you from the rotating speaker to a vibrato effect. A trimmer control on the underside of the pedal tunes the phase and intensity of the vibe.
The new single channel Carl Martin PlexiTone was designed in association with Pete Thorn, and is housed in a small pedal-board friendly housing with 3 knobs and 1 switch. Apart from Pete’s slight modifications that give this new pedal a tighter bottom-end and slightly softer high frequencies, it is exactly the same gain structure as the High Gain setting on the original Pro-Series PlexiTone….it just plays better with different amps.
The single Plexi also incorporates our new DC-DC converter circuitry, so the pedal can be powered by a regulated 9V Power Supply but will still operate on the same +-12V level as the original AC powered PlexiTone. This allows us to use the same high quality components which provide the same tone and headroom that make the CM Pro-Series stand out from the rest!
The Level knob adjusts the overall level of the Plexi- Tone. By adjusting this knob (in conjunction with the gain) you can match or exceed the bypass signal for rhythm or solo work.
The Drive knob adjusts the amount of overdrive, from light crunch; at full counter-clockwise, to full, fat overdrive with loads of sustain at full clockwise…. and everything in between. Regardless of the amount of overdrive, the PlexiTone always produces those great Brittish tones that seem to cut right through the mix in both live and recording sessions.
The Tone knob on the PlexiTone, is a high cut filter. With the knob set at full clockwise, you enjoy the full bandwidth of frequencies, so as you turn the knob counter clockwise, you start to filter out the high frequencies. This allows you to fine tune your tone regardless of which guitar/pickup you are using. You might find at high gain settings that reducing the highs will tighten up the sound, and at lower gain settings, the high frequencies will add some bite and crispness to your notes.
The DOD Carcosa Fuzz is a doorway into an alternate fuzz universe, where classic tones of legend coexist with splattered and shattered Pollock abstractions. Combining the Carcosa’s wide-ranging AFTER bias control with two toggle positions creates tones that range from porcine fatness to dessicated shards. This versatility makes the Carcosa Fuzz a good companion for dirty or clean amps. True bypass, tons of output, and the visage of the King in Yellow sets the stage for fuzzy madness.
The DOD Carcosa Fuzz has an exaggerated mid-range and treble character that help it stand out in a mix. It has been designed to cut through a dense and heavy band but still have great note articulation with chords. However, when extreme bias (AFTER) ranges are selected many wild and over-the-top sounds are possible
BEFORE – Increases/Decreases the amount of fuzz.
OUTPUT – Increases/Decreases the overall output level, there is a lot of level here so this can be used as a boost.
AFTER – Bias Control changes the texture of the fuzz. Counter-clockwise attains loud and woody fuzz tones that clean up with the guitar volume knob, and full clockwise attains splatty and broken fuzz tones and horn-like vowel sounds and sustain. Middle-ranges go from familiar classic to more modern wall-of-sound fuzz voicings.
HI-CUT – Reduces the amount of high-frequency detail. Start at the 9:00 position and adjust counter-clockwise for brighter pickups, and clockwise for darker pickups. Don’t be afraid to use the extreme ranges of this control since changes to the AFTER bias control also change the tone of the fuzz. You may find higher volume boost settings or stage levels will also require high-frequency adjustment.
DEMHE/HALI – Use the DEMHE voicing (Up Toggle Position) for a bass and low-mid boost which works great for clean channel usage. Use the HALI voicing (Down Toggle Position) for a bass cut that works great for dirty channel usage.
Hand-built, united together TS9 and TS808, 2 in one shell, Guitar Effects Pedal Overdrive Tube Screamer
The TS9 TS808 Tube Screamer is made on the basis of the classic original TS9 and TS808, the most popular vintage overdrives. We take these two models together in one shell, 2 effects in 1, perfect upgraded, using the best quality components and the same circuit as the original one, and it’s made with plug-in components only, not SMD technology, so it is close to the original sound as they come.
Using a two-Position switch to change the effects: TS9 effect and TS808 effect.
Features： One two-position switch: TS9 overdrive and TS808 overdrive Updated IC: JRC4558D Drive controls LEVEL controls Tone controls True bypass switch 100% analog signal path On/Off LED indicator • Dimensions (W/D/H): 112mm X 65mm X 38mm • Weight: 0.6 lbs. (280g) • Battery Type: I pc 9VDC battery • AC Adapter (Optional): 9VDC, Negative Tips
You know who makes a good ‘Marshall in a box’ pedal? Marshall do. Well, they did, in the 90s at least. This is voiced very close to a JCM800 gain channel; there’s a heap of gain on offer and a very powerful three band EQ. There’s a bit more gain and volume boost on tap than the sister ‘Shred Master’ pedal and a more traditional voicing. Stacks up very nicely against some very boutique pedals and has a whole lot ‘back in the 90s’ swagger.
Gain: gain/crunch added to the signal
Bass: low end frequencies boost/cut
Middle: traditional midrange boost/cut, heaps of variation as you turn up
Treble: high frequencies boost/cut
Volume: output volume; note that it cuts volume when set below 3o’clock
«Black Russian» Big Muff Pi version 8 Second Edition, with four screw light weight box from 2006, Based on Bob Myer’s original circuit. 9V battery only. This small box black Big Muff was the final version of the Russian made Big Muffs.
A pinch smoother than its American-made comrade, the Russian Muff exhibits slightly less sustain, yet retains that unmistakable Big Muff sound. Prized by bass players for its edge, and sought after by guitarists seeking its unique flavor.
VOLUME CONTROL-sets the output level.
SUSTAIN CONTROL- adjusts the amount of sustain and distortion.
TONE CONTROL-provides a range of sounds from high treble to deep bass.